“So I basically just plugged into a pre-amp and played this really saturated guitar on top of my Yamaha drum machine in a way that felt natural.
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Into the echo chamber lyrics how to#
He’d left these notes everywhere to explain how to use the gear but his room-mate had used it just before me in the morning and messed up all the instructions, so I was in there and I didn’t know how anything worked”, remembers Prochet. “Some Time Alone, Alone’ is one of the songs I wrote in Perth when Kevin was on tour and I was on my own in his studio. Inspired by Parker’s free-spirited approach and the unconventional provisions of his home studio (“we had to mic-up on piles of bricks in the backyard”), Prochet describes her process in Perth as a childlike, exploratory one for a record so deeply textured and layered its genesis was surprisingly less a case of studious knob-twiddling and more of playful, wide-eyed instinct.
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We worked as kind of complementary opposites – he helped me destroy everything I’d done up to that point and then put it back together piece by piece, to sculpt it with the right balance of classicism but also the psychedelia and wildness I wanted.” “I think at some point I had a click and I naturally ended up collaborating with someone with a Rock ‘n’ Roll background such as Kevin. “I’ve been surrounded for many years by the idea of classicism as I studied Viola and it’s all about formal and restrained music, and when I started recording my own songs I was kind of stifled by that restriction and tended to not be as extreme as I wanted to be in sound or structure,” explains Prochet. Predominantly recorded and mixed with Tame Impala’s Kevin Parker in Perth and finished off solo in France, the collaboration, struck up after the two met on tour when Prochet was playing in a previous band, proved a perfect chemistry. The intriguing combination of more confrontational, roughshod instrumentation and stirring compositional scope present in Prochet’s work is in part attributable to the album’s origins. For all its blown-out boom and electronic wear-and-tear, a song like ‘Crystallized’ unfolds with a sweeping grace and poise that is deceptively complex, and the album is peppered with moments of melodic illumination that feel almost like movements in the way they frequently elevate the song up and away from the heavy, damaged break-beats and mesmeric bass loops that typically drive them. The likes of Debussy and Spiritualized are seldom quoted in tandem when it comes to touch-points of an artist’s debut album but for Prochet, a classical music student of some twelve years, this sense of disparate influences makes a lot of sense. But as much as her national identity runs through the fibre of the eleven tracks that make up Melody’s Echo Chamber, there’s worldliness at play too a looking beyond the fringes of personal experience to trawl through Europe’s art pop lineage – kraut, space-rock, dream-pop, electronica – in a way that’s as much cinematic in its scope as it is musical. With her smoky, sensual voice and romantic presence, Prochet embodies a distinctive kind of elegance and bold sense-of-self long associated with France’s more notable musical exports. Possessing a penchant for wild-eyed psychedelia, homespun motorik rhythm and an effortless flair for the sort of melodic classicism redolent of chamber song, Prochet is at once both an aficionado of pop’s outer limits and off-kilter to its expectations. Thank you for further confirmation that, despite the internet's best efforts to persuade me otherwise, I'm not really alone in feeling this way.Melody’s Echo Chamber is the name given to the work of Paris-based multi-instrumentalist and songwriter Melody Prochet. It's important to have some sense of self worth, because you are trapped with yourself in every room you will ever enter, so you have to like that guy and goddamn if it isn't tough to do when people are hateful to you simply for having natural thoughts of your own.
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Online, there is so much pressure to share the same opinions and slot into the expectations of others, but it's been particularly stressful lately to the point that I have overcome my social media addiction and now rarely post any words online because I feel if I share my opinions I will be persecuted for them as I have in the past. I have struggled with unending depression since I was 14, a decade and a half ago, and things have never felt more bleak than they do right now. Social media in the past few years has caused a deep and profound distress inside myself. The chorus is fantastic, and I've already listened to the song 3x back to back.Īs for the message, I sincerely understand and relate. This is tonally an amazing song, I love the melody.